double 12 inch release of this 1995 must-have album by the chemical brothers.

storming darker detroit techno albumÓclassixxx

xl recordings presents the debut longplayer from joy orbison.

kink - live improvised outro as we reach the 19th year of cocoons residence on ibiza, the location may have changed from amnesia to pacha, but the enthusiasm for perhaps the most enduring party on the mediterranean island is guaranteed to continue. actually, only the sun, sea and wind are more reliable! the celebrated live sets of bulgarias life wire strahil velchev aka kink have been a vital ingredient for the ecstatic nights over the years. with unprecedented regularity, the man from sofia has been voted best live act by readers of groove magazine for the last three years, and in 2017 he was also crowned best electronic music producer. as kink, together with sven vŠth, celebrate one of the most popular evenings of this years season as well, what could be more logical than to repurpose the famed cocoon ibiza mix cd series into another live document of the event? no sooner said than done, and so here the bulgarian offers a 70-minute cross-section of his skills. well-known tracks, especially from last years playground lp (running back) meet exclusive, unreleased material in a spontaneous tour de force through the history of electronic dance music. there are distinctive nods to chicago and detroit, jazzy organs spiralling into string-drenched skies

oddball space disco/funk tracks, composed between 1970 and 1985. big tip! a master of the mixing board, from the late 60s until the 90s bernard estardy was the wizard of french musical recordings. as head of cbe studios, he shaped everything from gŽrard mansets concept albums to claude franŤois hit singles, franŤoise hardys delicate tear-jerkers and michel sardous soul-stirrers. this giant had his hand in the whole range of mainstream french music by making his studio a veritable playground for experimentation. his legendary album la formule du baron, released in 1969, and the eight lps of production music he made between 1974 and 1978 for tele music are vivid proof. in the cbe studio, which she runs today, his daughter julie estardy discussed his singular career.

kein club ohne eine regelmŠ§ige dubstep-veranstaltung! dubstep hat sich lŠngst zum festen bestandteil der club-kultur entwickelt. ursprźnglich ein nischen-stil von clubgŠngern fźr clubgŠnger, hat dubstep nun schon seit lŠngerem seinen weg in die gro§en clubs und charts gefunden, ohne etwas von seiner coolness einzubź§en. sogar pop-grš§en wie rihanna, lady gaga oder madonna lassen dubstep-mixe von ihren songs anfertigen. die basslastigen, treibenden beats sind einfach der sound der stunde. mit dubstep 2016.1 the ultimate hits setzen wir nun unsere erfolgreiche dubstep-reihe fort. hier finden sich gleich 32 der stŠrksten und angesagtesten club-hits aus diesem genre!

kollektion 2 is also a perfect opportunity to plug the first installments gaping holes.

jk soul had a new vision for his new album take me higher. he wanted to show the world his wide range of production skills and his capability of moving through the different styles of electronic music with class. not a lover of sticking to any stylistic niche to mark his territory. electronic music was always his playground so now house, dubstep, drum & bass, together with touches of reggae and soul are equal parts in his new creations all of which are there to enrich his unique and famous hip hop based beats and soul influenced trip hop trademarks. lala pumpkins voice moves the listener far away, across the european borders and in the west side of the atlantic, sounding so fresh and full of emotion but at the same time strong and certain of the capabilities that carries like a funk diva.

2 cd compilation! cd 1 mixed, cd2 unmixed !! incl.tracks by miguel champell, groove armada, mario basanov, crazy p, maco plex and more!

>square<, is the follow up to redshapes album debut ,the dance paradox, (delsin, 2009)

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

with niko schwinds first album for stil vor talent you never loose the feeling that each of the tracks would work harmoniously on the dancefloor, but also within the concept of this album that goes from slow-moving vocal house to pretty nifty tech-house and back. niko schwind is a magician when it comes to producing very fine and mature pieces of house music that are sure to work great on the dancefloor. maybe niko has had the dj in mind that he is himself, as the tracks seem to perfectly provide great productions, but also the ideal ability to mix them in and out, with little samples providing great audible cues. after all, as the title suggests >good morning midnight< is an album with the dancefloor in mind

>patio de juegos<, which translates as >playground<, is a wonderful multi-genre journey through the mind of an artist who is both on top of his game, and on the rise towards the stars. lashings of his ever-present south american heritage infuse with incredibly intricate and perfectly simple house structures that give the whole album its almost >child at play< ethos that is rarely found in electronic music. future club hits such as >wanna be<, with its nod to the historical upbeat lineage of house music, and >all the girls<, with its chugging rhythm, trickling piano loops and erotic vocals sit effortlessly alongside more experimental and jazz inspired tracks such as the explorative >still here<. another fine example is >sun<, with its deep bass line punctuated with the sun-soaked synths and summer high-hats that export listeners away to a warm utopia. guti produces a number of tracks with high profile artists from both within and outside the dj fraternity - a sign of his increasing popularity within electronica, and also his innate ability to collaborate with more mainstream artists.